Award for culture of remembrance: Verleihung des Dr. Julius Voos Preises

Am 10.3.2025 wurde mir gemeinsam mit meiner Kollegin Lisa Terhürne und der gesamten Schulgemeinde des Maria-Sibylla-Merian Gymnasiums Telgte für unser Projekt „Jüdisches Leben in Telgte. Gestaltung von Erinnerung“ der Dr. Julius Voos Preis der Gesellschaft für Christlich-Jüdische Zusammenarbeit verliehen.

Unser Schulprojekt beschäftigt sich langfristig und nachhaltig mit der Erinnerung an das während der NS-Zeit brutal und systematisch ausgelöschten jüdischen Lebens in der münsterländer Kleinstadt Telgte. Unser Fokus liegt auf künstlerischer Feldforschung und gestaltungspraktischer Auseinandersetzung mit neuen Formen der Erinnerungskultur. Zunehmend gesellen sich aber auch weitere historische und literarische Projekte dazu.

Interview with Sarah Belle Reid about my work

„How video artist Anja K. uses deep listening, modular synths, and sound design to expand her creative practice

If you ever struggle with having TOO many creative interests, and worry that you’re moving in too many directions at once, this interview is for you. 👇

I recently had a great conversation with my LSS student @anja_kreysing – all about her creative practice combining video, sound art, installations, modular synths, and experimental sound.

We got deep into topics like:

– The balance between bringing all of yourself into your work and staying focused on what matters most

– The power of expansion & embracing what you DON’T know

– Combining interests across art forms and genres „

After that I got a kind invitation by Sarah Belle Reid for a statement about creative work with imperfect action! My love for directed chaos generated this short clip. Enjoy!
More great ideas about creativity with confidence from Sarah: https://youtu.be/2nlZDEhM6i0

imperfectaction #electronicmusic #soundart #art #videoart #creatingwithcourage #directedchaos #creative #empowerment #modularsynth #synthesis #synthesizer #synth #modularsynthesizer #euroracksynth #sounddesign #audiovisual

fantastic lot of radioairplay of „Before and after silence“, a collaborative release by Hans Castrup, Philipe Neau & Anja Kreysing

@ soundart-radio Auricular Shelter by Matt Atkins, 11.8.2024:


@ Radio Irrtum! by Herr Irrtum, 3.8.2024:

https://elektrische-lasagne.de/radioIrrtum

https://elektrische-lasagne.de/radioIrrtum/playlist_radio_irrtum_2024-08a.md


@ Naisa Radio, „MUSIC, OR NOISE?“, Broadcast by Bepi Crespan, 27.7.2024:


@ Naisa Radio, „MUSIC, OR NOISE?“, Broadcast by Bepi Crespan, 13.7.2024:


@ Unexplained Sounds The Recognition Test by Raffaele Pezzella, 7.7.2024:


@ A Duck in a Tree by *zoviet:france*, 6.7.2024:


@ Bepi Crespan Presents, Radio Art in a snack sized format, 6.7.2024:

https://www.citr.ca/radio/bepi-crespan-presents/episode/20240706


sound art radio Planck Tone by black_ops / Mahorka, 25.6.2024

my video „Infra“ at mopomoso TV – Matriarchal March 24.3.2024, stream & chat 15:00 / 3 pm CET

Matriarchal March with a great line up! Thanks to Viv Corringham for having me with my Video “Infra”

Line-Up:
“Sage Leaves” by Mia Zabelka, Tracy Lisk, Els van Riel (violin, voice, percussion) https://www.elsvanriel.be/ https://tracylisk.bandcamp.com https://en.wikipedia.org/wiki/Mia_Zab…

“Tautologies” by Maria Sappho (performance, music & video) https://www.mariasappho.com

Intro to Kazuko by Sylvia Hallett “Boltaphone Duo” by Kazuko Hohki with Andy Cox http://www.kazukohohki.com https://en.wikipedia.org/wiki/Andy_Cox

Intro to Zagreb quartet by Sylvia Hallett Live recording from gig in Zagreb by Sue Ferrar, Tracy Lisk, Maggie nicols, Sylvia Hallett (violins, voice drums) filmed by Ivan Mršič https://tracylisk.bandcamp.com/ http://sylviahallett.co.uk/ https://britishmusiccollection.org.uk… https://maggienicolscreations.com/bio/

Intro to Infra by Viv Corringham “Infra” by Anja Kreysing (accordion, electronics) https://anjakreysing.de/wp/

Elico Suzuki (suzueri) & Viv Corringham (keyboard, voice with effects) https://suzueri.org/ http://vivcorringham.org

Intro to “Klops” and “Purple Field” by Sylvia Hallett “Klops” by Sylvia Hallett (bowed branches with effects) and Ebba Jahn http://sylviahallett.co.uk/ https://filmfreeway.com/EbbaJahn “Purple Field” by Sylvia Hallett (tibetan bowl) and Ebba Jahn http://sylviahallett.co.uk/ https://filmfreeway.com/EbbaJahn

Intro to „Ici la Terre“ „Ici la Terre“ by Luc Ferrari, Pat Moonchy (voice and electronics) and Lino Budano https://patmoonchy.bandcamp.com/ “Parallel Universe” by Yoko Miura, Mia Zabelka and Lawrence Casserley (piano, violin, signal processing) http://yokomiura.main.jp/home/english… https://en.wikipedia.org/wiki/Mia_Zab… https://www.lcasserley.co.uk/

Intro to John and Emmanuelle by Viv Corringham Live Performance by John Russell and Emmanuelle Pellegrini (performance poetry and guitar) https://en.wikipedia.org/wiki/John_Ru…) https://www.facebook.com/emmanuelle.p…

CDr out now! Anja Kreysing – ORTrmx

factory-produced CDr in Digisleeve, ltd.ed. 200 copies

attenuation circuit ° ACU 1063 ° 2024 // attenuationcircuit.de ° attenuation-circuit@web.de

https://emerge.bandcamp.com/album/ortrmx

field recordings out of the unsettling rooms of the former Oxford barracks / Flakkaserne in Münster / Germany, manipulated and remixed with recordings from other places, developed out of the psychogeographic field exploration / audiovisual installation „Ort ohne Heimweh“ in collaboration with Thomas Gerhards and Werner Rückemann, August/September 2023, Oxford barracks, Münster, Germany

reviews:

new review @ VITAL WEEKLY, thanks to Frans de Waard !

„I reviewed work by Anja Kreysing before from music she did with Dan Penshuck and Sascha Stadlmeier, but now it’s solo time. Or rather, she’s responsible for the music part of an exhibition she did with Thomas Gerhards and Erner Rückemann, and on this release, she uses/remixes that sound material again. The installation was at the Oxford barracks in Münster, used by the British army after 1945, even when the Wehrmacht built it earlier. The installation uses pictures and sounds from the area so we don’t forget and don’t glorify the past. The sounds, however, are not easily traced back to any origin, as they are all highly abstract. Kreysing uses sampling devices and electronic gadgets to alter these sounds so that nothing historical is part of it anymore. In her compositional approach, she reminds me of label boss Stadlmeier’s EMERGE project, who, in turn, took cues from Asmus Tietchens. They are not as delicate as Tietchens, but they have a similar love for using microscopic details from a set of what I can only assume are more significant sounds. We can label this as Reductionist music, which is fine-tuned and cooked into delicate music. Only in ‘ORTrmx4’ do we hear footsteps and a giant drone, taking the musical experience into a different field. I’m afraid only four lovely pieces didn’t satisfy my appetite; it’s only twenty-four minutes, and I think that’s not nearly enough. Isn’t the whole idea of remixing and recycling to work with an endless pool of possibilities? Why stop here? Great album!“

https://emerge.bandcamp.com/album/ortrmx

forthcoming review @ BAD ALCHEMY
Den Leighton Barracks als Würzburger Stützpunkt der US-Streitkräfte von 1945 bis 2008 und ihrer Um­gestaltung in den Stadtteil Hubland und das Cam­pus Nord entspricht in Münster das Oxfordquartier als eines der britischen Kasernenviertel von 1945 bis 1990, das ebenfalls in ein Wohnviertel konver­tiert wird. In beiden Fällen gibt es eine national­sozialistische Vorgeschichte, in Würzburg den Fliegerhorst Würzburg der Reichs-Luftwaffe, in Münster ebenfalls die Kennern noch sichtbare Wehrmachtsarchitektur der Flakartillerie-Kaserne. Auf ORTrmx (ACU 1063) erklingt der akustische Part der multimedialen Installation ‚Ort ohne Heim­weh‘, ANJA KREYSINGs Verfremdung von örtlichen und mit psychogeographischer Sensibilität imprä­gnierten Feldaufnahmen durch Processing. Nicht um denen Kraft und Freude zu spenden, denen die Gnade der späten Geburt zuteil wurde. Sondern um Auge und Ohr zu schärfen und die Immunabwehr zu stärken gegen den latenten Virus grausiger Gedan­ken und falscher Gefühle in einer Zeit, in der kaum noch jemand Nazi-Kitsch von anderm Kitsch unter­scheiden oder eine historische Funktionalität er­kennen kann, so ganz ohne Hakenkreuzchen. ‚Da­mals‘ waren Studenten die Avantgarde der Bücher­verbrennung und Menschenschinderei, heute tau­chen sie wieder ihre unschuldigen Hände in Juden­blut. Es braucht also nicht einmal einen neuen ‚Feind‘, der alte Sündenbock tut’s weiterhin. Krey­sing (…) spielt mit metalle­nem Klingklang und dröhnenden, rieselnden, ru­morenden, tröpfelig ‚zwitschernden‘, ständig chan­gierenden Klängen. Der vierte Part hallt wider von Schritten und einem dunklen Tuten und Zerren. 105 Jahre Faschismus, und die meisten erkennen ihn nicht mal wenn er sie beißt – oder küsst.
www.badalchemy.de
https://emerge.bandcamp.com/album/ortrmx

#cd #limitededition #experimentalmusic#electronicmusic#contemporary#soundart #electrocacoustic #musiqueconcrete #fieldrecording #ambient

Radioairplay on phonoECHOES – Klangzeit on air / 20th February 2024

Thanks for having me! today 14-15 Uhr / 2-3 p.m. @klanghaus_untergreith Tune in to CAMP Radio today from 1-2pm GMT, 2-3pm CET for a new edition of “phonoECHOES – Klangzeit on Air” ! 
Tracks by Anja Kreysing, Lantana feat. Maria Do Mar De Brito Lopes, Bad Groupie feat. Kris Kuldkepp/ Jeff Surak and Mia Zabelka/ Nachtstück Records. Enjoy listening ! 🌟🌟🌟

http://listen.camp/

#CampRadio #anjakreysing #lantana #mariadomar#kriskuldkepp #jeffsurak #miazabelka#nachtstückrecords
#dronemusic #darkambient #noise #freeimprovisation#worldmusic #experimentalmusic

Ressourcen – radio airplay on Lost and Found Sounds

Radioairplay on Lost and Found Sounds from #ressourcen, my collaborative composition with #EMERGE and Gerald Fiebig 22.5.2023, 9 – 11 pm Sidney time-zone! Thanks for having us!

„Tune in to 2BOB radio this week at 9pm for Lost and Found Sounds and you’ll hear works by Anja Kreysing on Attenuation circuit, Rosalind Hall on Avant Whatever, and Alexandra Spence, Tomoko Hojo, and a collaboration between Myriam Van Imschoot and Federico Protto, all on Dragon’s Eye Recordings.

Plus new releases from Manja Ristić, and on Antenna Non Grata, from COAGULANT.

Tune in to 2BOB RADIO 104.7fm in the Manning Valley or stream through www.2bobradio.org.au

Monday 22/May/2023, 9:00 – 11:00pm AEST (Sydney time 24timezones.com/difference)

Later on-demand at www.2bobradio.org.au/lost-and-found-sounds

broadcast / podcast features of restlicht 2023

19.3.2023 restlicht @ Mopomoso TV, curated by Viv Corringham, starts at 52:04 min with moderation from Viv:

restlicht live-version @ phonoECHOES by Mia Zabelka, 21.3.2023, playing tracks by
Phill Niblock, The Crown Quartet (Tibor Szemzö, Zahra Mani, Roberto Paci Dalo, Mia Zabelka), Werner Zappi Diermaier (Faust), Anja Kreysing, Sainkho Namtchylak and more:

Some more information about the Klangzeit-Festival / Music in the Countryside (German) : https://skug.at/intermediale-sounds-im/?fbclid=IwAR24ixjPfaAECxznvQfRKwGS3iCR9PxgJPTMG9zhaPkMhu9db8bVeHL_q7g

radioairplay / podcast of ressourcen @ RADIO IRRTUM! The mysterious archives 2022 / 11 „Das große Rauschen“

Ein dickes Merci an Herrn Irrtum, dass er „ressourcen“ von EMERGE und mir in seiner extrem empfehlenswerten Radioshow präsentiert hat! „ressourcen“ startet bei ca. 26:45 min, 7 min. aus 25 – spannende Auswahl!

https://www.elektrische-lasagne.de/radioIrrtum/

playlist

https://www.elektrische-lasagne.de/radioIrrtum/playlist_radio_irrtum_2022-11.md