We are happy to announce that „drift“ is part of the 2026 Radiophrenia Glasgow radioart festival. radioairplay @ 14.9.2026, 1-2 am Glasgow time / 2-3 am Berlin time @ https://radiophrenia.scot/listen/
More about „drift“, a collaborative radio art-composition of EMERGE and Anja Kreysing:
segment 19 – FLUME, the next step of my contribution to the Flow project. I added a video and a live part to segment 19 – FLUME and premiered it as segment 19 – FLUME audio-visual composition live iteration at Klangzeit-Werkstatt festival by Gesellschaft für Neue Musik / GNM Münster at music-conservatory Münster, GER, May 16th 2026.
Segment 19 – FLUME investigates the acoustic behavior of a regulated river segment through a post-cinematic audiovisual compositional approach. The piece originates from a field recording made inside the concrete tube of a fish pass, where water striking the walls produces a narrow resonance between A and B♭. This unstable microtonal field becomes the structural centre of the work. Granular and spectral processes, sine tones, and slowly drifting accordion drones performed on two slightly detuned instruments reorganise the recording into an evolving acoustic space.
The video has its origins in massively processed false-color satellite images of the area. The aim was to transform the wide view from space into the way from the river basin through the narrow concrete tube under this dammed part of the river Lech near the municipality of Scheuring / GER. Rather than depicting the site, this video-composition amplifies its latent resonances, pressure, and spatial constraints.
Segment 19 – FLUME also exists in a live iteration, where a third accordion performs live alongside the fixed video-composition.
Flow is a project by Dr Martina Cecchetto, with the scientific contribution of Dr Florian Betz and the artistic curation of Riccardo Fumagalli, in collaboration with Cities & Memory, the University of Padua (Italy), and the University of Würzburg (Germany).
I am proud to be a part of the amazing FLOWproject with „segment 19 – FLUME“, a composition with the resonances of a fish-pass at the Lech for tube, accordion and sine-tone.
Flow is presented actually at the EGU general assembly in Vienna, the biggest geoscience conference in Europe.
Flow combines science, sound, and imagery to bring to life the story of the river Lech, which flows through Austria and Germany, as an example representing all rivers, all over the world.
Researchers at the University of Padua and the University of Würzburg collected satellite images, research, photography and field recordings from the entire length of the river, and asked artists to reimagine the life of the river through sound.
Flow tells the story of a river through sound, from its source to its end. Flow is a project by Dr Martina Cecchetto, with the scientific contribution of Dr Florian Betz and the artistic curation of Riccardo Fumagalli, in collaboration with Cities & Memory, the University of Padua (Italy), and the University of Würzburg (Germany).
Listen to all of the amazing compositions along the 25 segments of the river Lech, from the source in the Austrian alps up to the estuary into the Donau in Bavaria / Germany:
The feature of my composition „Segment19 – FLUME“, my contribution to the amazing FLOW project by Cities and Memory and the universities of Würzburg, Germany and Padova, Italy is out now! FLOW is a project about the artistic sonification of the river Lech, flowing through Austria and Germany! Thank you so much Riccardo Fumagalli for your great work curating the FLOWproject and your mindful interview!
„Anja Kreysing is a musician and researcher based in Münster, Germany. Her work moves between experimental music, sound art, and acoustic ecology, with a particular interest in how constructed and natural environments shape each other through sound.
For Flow, she worked on Segment 19 of the River Lech — a channelised, heavily regulated stretch near Sheuring, where dams and reservoirs for hydropower production have left the river, in the scientists’ words, “widely lacking natural geomorphic dynamics.” There are no restoration plans for this segment.
But Anja found a fish passage. A modest, largely unremarkable structure — a channel carved into concrete, built under a road — designed to recreate, as faithfully as possible, conditions natural enough for fish to navigate past a dam. When she recorded inside it, she found the water produced a very particular resonance: a narrow, unstable microtonal field sitting between the pitches A and B-flat.
That resonance became the starting point for everything.“
Segment 19 – FLUME investigates the acoustic behaviour of a regulated river segment through a post-cinematic compositional approach. The piece originates from a field recording made inside the concrete tube of a fish pass, where water striking the walls produces a narrow resonance between A and B♭. This unstable microtonal field becomes the structural centre of the work. Granular and spectral processes, sine tones, and slowly drifting accordion drones performed on two slightly detuned instruments reorganise the recording into an evolving acoustic space. Rather than depicting the site, the composition amplifies its latent resonances, pressure, and spatial constraints.
Listen to the other amazing compositions for FLOW project on Riccardo’s Blog:
„Flow is a project by Dr Martina Cecchetto, with the scientific contribution of Dr Florian Betz and the artistic curation of Riccardo Fumagalli, in collaboration with Cities & Memory, the University of Padua (Italy), and the University of Würzburg (Germany).“
„drift” – eine akustische Hybridwelt In der Radioarbeit „drift“ des Duos Kreysing/EMERGE treiben Kurzwellenfragmente durch instabile Frequenzen und verdichten sich zu unerwarteten Narrativen. Zwischen Field-Recordings, Radiokulturen, Noisescapes und zeitgenössischer elektronischer Musik entfaltet sich eine akustische Hybridwelt um Improvisation und Komposition, Lauschen und Rauschen, Melodie und Störung. Radio free FM überträgt live von vor Ort die hybride Uraufführung im Rahmen einer Sondersendung von entartet von 20 bis 23 Uhr. Radiokonzert kreysing/EMERGE 21:00 Eintritt frei.
„Udo Eberl schreibt dazu in der gestrigen Ausgabe der Südwest Presse: […] Bisweilen geben die Ankündigungen von Veranstaltungen genau das wieder, was man dann live letztendlich auch erleben darf. So kündigte Radio free FM in der „RR Reihe Radiostücke“ den Abend des Duos Kreysing/Emerge im Stadthaus so an: „Kurzwellenfragmente treiben durch instabile Frequenzen und verdichten sich zu unerwarteten Narrativen. Zwischen Field-Recordings, Radiokulturen, Noisescapes und zeitgenössischer elektronischer Musik entfaltet sich eine akustische Hybridwelt um Improvisation und Komposition, Lauschen und Rauschen, Melodie und Störung.“ Das trifft doch ziemlich gut, was bei der im Rahmen der Sonder-Livesendung entartet hybrid im Radio und im Saal zu erleben war. […]“
Artwork by Marin Dziallas/ghostwork.de Fotos: Radio free FM
Live, uncut sessions between abstract coastlines and scorched resonance. Anja Kreysing and Stefan Strasser created two real-time compositions blending elements of analog noise, jazz, folktronics and cinematic atmospheres.
The two tracks, “Cartesian Coordinates” and “Meridian Collapse”, were recorded live in two sessions without edits. The result is a sonic topography of imaginary coastlines, collapsing grids and scorched resonance. Abstract, surreal and deeply expressive.
Thanks so much to Submarine Broadcasting Company for hosting this!
Immersive Projektion von Hartung Trenz mit einer Komposition von Anja Kreysing am 19.9, 20.9, 21.9.2024 im Franziskanerkloster, Pula, Kroatien im Rahmen des Lichtunkstfetivals „Visualia“(https://visualia-festival.com).
20.9. & 21.9.2024 21-22:00 Uhr live Konzert in der immersiven Installation.
The idea for this album came up back in 2022, while the three artists – each working in a special multimedia way – were producing a 20-minute track in this line-up for a (soon to be released) album in the r. i. e. series on the attenuation circuit label from Augsburg in Germany. Despite the physical distance, the work worked perfectly and so they wanted to continue. The present recordings are the result of many different intermediate mixes with many different focal points, which the respective musicians applied and which were finally put together by Anja Kreysing to create the intense and atmospherically dense sound experience that is now offered to the listener.
HC June 2024
credits
released June 21, 2024
Anja Kreysing – Accordion, Guitar, Electronics, Mastering Philippe neau – Soundscapes, Artwork + Design Hans Castrup – Piano, Electronics