segment 19 – FLUME a/v composition premiere

segment 19 – FLUME, the next step of my contribution to the FLOW project by Cities and Memory and the Universities of Padova and Würzburg. I added a video and a live part to segment 19 – FLUME and premiered it as segment 19 – FLUME audio-visual composition live iteration at Klangzeit-Werkstatt festival by Gesellschaft für Neue Musik / GNM Münster at music-conservatory Münster, GER, May 16th 2026.

Segment 19 – FLUME investigates the acoustic behavior of a regulated river segment through a post-cinematic audiovisual compositional approach. The piece originates from a field recording made inside the concrete tube of a fish pass, where water striking the walls produces a narrow resonance between A and B♭. This unstable microtonal field becomes the structural centre of the work. Granular and spectral processes, sine tones, and slowly drifting accordion drones performed on two slightly detuned instruments reorganise the recording into an evolving acoustic space.

The video has its origins in massively processed false-color satellite images of the area. The aim was to transform the wide view from space into the way from the river basin through the narrow concrete tube under this dammed part of the river Lech near the municipality of Scheuring / GER. Rather than depicting the site, this video-composition amplifies its latent resonances, pressure, and spatial constraints.

Segment 19 – FLUME also exists in a live iteration, where a third accordion performs live alongside the fixed video-composition. 

FLOW project out now at EGU geoscience conference, Vienna 7.5.2026

I am proud to be a part of the amazing FLOWproject with „segment 19 – FLUME“, a composition with the resonances of a fish-pass at the Lech for tube, accordion and sine-tone.

Flow is presented actually at the EGU general assembly in Vienna, the biggest geoscience conference in Europe.

Flow combines science, sound, and imagery to bring to life the story of the river Lech, which flows through Austria and Germany, as an example representing all rivers, all over the world.

Researchers at the University of Padua and the University of Würzburg collected satellite images, research, photography and field recordings from the entire length of the river, and asked artists to reimagine the life of the river through sound.

Working with the University of Padova and the University of Würzburg, Flow tells the story of a river through sound, from its source to its end. Flow is hosted by the famous „Cities and memory“, the british soundart project around field recordings, memories and the sound of places allover planet earth.

Listen to segment 19, FLUME:

https://map.citiesandmemory.com/maps/point/3759

Listen to all of the amazing compositions along the 25 segments of the river Lech, from the source in the Austrian alps up to the estuary into the Donau in Bavaria / Germany:

https://citiesandmemory.com/flow

Feature @ Riccardo Fumagalli’s FLOWcast of Segment 19 – FLUME

Anja Kreysing – Segment 19 – FLUME by Riccardo

A post-cinematic drift for tube, accordion and sine.

Read on Substack

The feature of my composition „Segment19 – FLUME“, my contribution to the amazing FLOW project by Cities and Memory and the universities of Würzburg, Germany and Padova, Italy is out now! FLOW is a project about the artistic sonification of the river Lech, flowing through Austria and Germany! Thank you so much Riccardo Fumagalli for your great work curating the FLOWproject and your mindful interview!

interview and composition:

https://artmusicscience.substack.com/p/anja-kreysing-segment-19-flume

3 compositions of segment 19 pure:

https://map.citiesandmemory.com/maps/point/3759

„Anja Kreysing is a musician and researcher based in Münster, Germany. Her work moves between experimental music, sound art, and acoustic ecology, with a particular interest in how constructed and natural environments shape each other through sound.

For Flow, she worked on Segment 19 of the River Lech — a channelised, heavily regulated stretch near Sheuring, where dams and reservoirs for hydropower production have left the river, in the scientists’ words, “widely lacking natural geomorphic dynamics.” There are no restoration plans for this segment.

But Anja found a fish passage. A modest, largely unremarkable structure — a channel carved into concrete, built under a road — designed to recreate, as faithfully as possible, conditions natural enough for fish to navigate past a dam. When she recorded inside it, she found the water produced a very particular resonance: a narrow, unstable microtonal field sitting between the pitches A and B-flat.

That resonance became the starting point for everything.“

Segment 19 – FLUME investigates the acoustic behaviour of a regulated river segment through a post-cinematic compositional approach. The piece originates from a field recording made inside the concrete tube of a fish pass, where water striking the walls produces a narrow resonance between A and B♭. This unstable microtonal field becomes the structural centre of the work. Granular and spectral processes, sine tones, and slowly drifting accordion drones performed on two slightly detuned instruments reorganise the recording into an evolving acoustic space. Rather than depicting the site, the composition amplifies its latent resonances, pressure, and spatial constraints.

Listen to the other amazing compositions for FLOW project on Riccardo’s Blog:

https://artmusicscience.substack.com

FLOW project featured by Cities and Memory:

https://citiesandmemory.com/flow/

All three compositions around segment 19, the fish pass near Scheuring, Bavaria:

https://map.citiesandmemory.com/maps/point/3759

„Flow is a project by Dr Martina Cecchetto, with the scientific contribution of Dr Florian Betz and the artistic curation of Riccardo Fumagalli, in collaboration with Cities & Memory, the University of Padua (Italy), and the University of Würzburg (Germany).“

Soundtrack for „timelessness“ by Thomas Radlwimmer with Stefan Strasser

proud to be a part of this! Release Alpine Video „timelessness“ by Thomas Radlwimmer, soundtrack by Stefan Strasser & Anja Kreysing

thank you so much for having us Thomas Radlwimmer!

Anja Kreysing & Stefan Strasser
music for
t i m e l e s s n e s s by Thomas Radlwimmer

Anja Kreysing – accordion, electronics
Stefan Strasser – guitar, effects
Mixed & mastered by Anja Kreysing

more timelessness videos:
https://timelessness.radlwimmer.at

https://anjakreysing.de/
https://stefanstrassermusician.de/

17.4.2026

Uraufführung kreysing/EMERGE „drift“ ReiheRadiostücke, 19.10.2025 Ulm

„drift” – eine akustische Hybridwelt
In der Radioarbeit „drift“ des Duos Kreysing/EMERGE treiben Kurzwellenfragmente durch instabile Frequenzen und verdichten sich zu unerwarteten Narrativen. Zwischen Field-Recordings, Radiokulturen, Noisescapes und zeitgenössischer elektronischer Musik entfaltet sich eine akustische Hybridwelt um Improvisation und Komposition, Lauschen und Rauschen, Melodie und Störung.
Radio free FM überträgt live von vor Ort die hybride Uraufführung im Rahmen einer Sondersendung von entartet von 20 bis 23 Uhr. Radiokonzert kreysing/EMERGE 21:00
Eintritt frei.

infos:
https://freefm.de/artikel/rr-kreysing-emerge

listen:
https://freefm.de/sites/default/files/audio/2025/KreysingEmerge_drift.mp3

„Udo Eberl schreibt dazu in der gestrigen Ausgabe der Südwest Presse: […] Bisweilen geben die Ankündigungen von Veranstaltungen genau das wieder, was man dann live letztendlich auch erleben darf. So kündigte Radio free FM in der „RR Reihe Radiostücke“ den Abend des Duos Kreysing/Emerge im Stadthaus so an: „Kurzwellenfragmente treiben durch instabile Frequenzen und verdichten sich zu unerwarteten Narrativen. Zwischen Field-Recordings, Radiokulturen, Noisescapes und zeitgenössischer elektronischer Musik entfaltet sich eine akustische Hybridwelt um Improvisation und Komposition, Lauschen und Rauschen, Melodie und Störung.“ Das trifft doch ziemlich gut, was bei der im Rahmen der Sonder-Livesendung entartet hybrid im Radio und im Saal zu erleben war. […]“

Artwork by Marin Dziallas/ghostwork.de
Fotos: Radio free FM

#KulturinUlm #StadtUlm #StadthausUlm #Drift #AnjaKreysing
#EMERGE #RadioFreeFm #SoundArt #Experimental #RadioKunst #LiveMusic #Klangkunst #Improvisation #ulm #radiofreefm #accordion #violin #electronics

Anja Kreysing – Stefan Strasser (Sound) / Monika Trotula (Video) pre-release excerpt of Sonic Scorch on SBC!

Anja Kreysing – Stefan Strasser (Sound) / Monika Trotula (Video) pre-release excerpt of Sonic Scorch — dystopian sound trips blending glitch, noise and fragile melodies.

official release 12th July 2025 // listening party 11th July 8 pm Berlin Time / 7 pm GMT + 1

https://submarinebroadcastingco.bandcamp.com/album/sonic-scorch

Live, uncut sessions between abstract coastlines and scorched resonance. Anja Kreysing and Stefan Strasser created two real-time compositions blending elements of analog noise, jazz, folktronics and cinematic atmospheres.

The two tracks, “Cartesian Coordinates” and “Meridian Collapse”, were recorded live in two sessions without edits. The result is a sonic topography of imaginary coastlines, collapsing grids and scorched resonance. Abstract, surreal and deeply expressive.

Thanks so much to Submarine Broadcasting Company for hosting this!

Anja Kreysing: accordion, DAW-based electronics, Soma Enner, Soma RoAt,

Stefan Strasser: synth + electronics (track 1), guitar (track 2)

Mixing/Mastering/Cover: Stefan Strasser stefanstrassermusician.de

fantastic video by Monika Trotula, thank you so much!

27.10.2025 radioairplay „sonic scorch“ @ Lost and Found Sounds , Australia. Big thanks to Hamish MacKenzie from Lost and Found Sounds , Australie for featuring sonic scorch at his beautiful radioshow!

Listen on-demand at www.2bobradio.org.au/lost-and-found-sounds => show 2025-10-27

Komposition / Konzert für die Lichtinstallation „Piesma Sunca“ von Hartung/Trenz beim Visualia Festival in Pula / Kroatien 19.-21.9.2024

Immersive Projektion von Hartung Trenz mit einer Komposition von Anja Kreysing am 19.9, 20.9, 21.9.2024 im Franziskanerkloster, Pula, Kroatien im Rahmen des Lichtunkstfetivals „Visualia“(https://visualia-festival.com).

20.9. & 21.9.2024 21-22:00 Uhr live Konzert in der immersiven Installation.

https://www.hartung-trenz.de/project/pjesma-sunca

fantastic lot of radioairplay of „Before and after silence“, a collaborative release by Hans Castrup, Philipe Neau & Anja Kreysing

@ soundart-radio Auricular Shelter by Matt Atkins, 11.8.2024:


@ Radio Irrtum! by Herr Irrtum, 3.8.2024:

https://elektrische-lasagne.de/radioIrrtum

https://elektrische-lasagne.de/radioIrrtum/playlist_radio_irrtum_2024-08a.md


@ Naisa Radio, „MUSIC, OR NOISE?“, Broadcast by Bepi Crespan, 27.7.2024:


@ Naisa Radio, „MUSIC, OR NOISE?“, Broadcast by Bepi Crespan, 13.7.2024:


@ Unexplained Sounds The Recognition Test by Raffaele Pezzella, 7.7.2024:


@ A Duck in a Tree by *zoviet:france*, 6.7.2024:


@ Bepi Crespan Presents, Radio Art in a snack sized format, 6.7.2024:

https://www.citr.ca/radio/bepi-crespan-presents/episode/20240706


sound art radio Planck Tone by black_ops / Mahorka, 25.6.2024

Before and after silence – collaborative release on Submarine Broadcasting Company, UK

by Kreysing, Castrup & neau

https://submarinebroadcastingco.bandcamp.com/album/before-and-after-silence

The idea for this album came up back in 2022, while the three artists – each working in a special multimedia way – were producing a 20-minute track in this line-up for a (soon to be released) album in the r. i. e. series on the attenuation circuit label from Augsburg in Germany. Despite the physical distance, the work worked perfectly and so they wanted to continue. 
The present recordings are the result of many different intermediate mixes with many different focal points, which the respective musicians applied and which were finally put together by Anja Kreysing to create the intense and atmospherically dense sound experience that is now offered to the listener. 

HC June 2024

credits

released June 21, 2024 

Anja Kreysing – Accordion, Guitar, Electronics, Mastering 
Philippe neau – Soundscapes, Artwork + Design 
Hans Castrup – Piano, Electronics 

anjakreysing.de/wp/ 
philippeneau.blogspot.com 
www.osnanet.de/castrup/

25.6.2024: thanks for having us in this fantastic Plank Tone-Show by black_ops!
Thoughts of hollow lands @ 35:20 – 37:26 min.:

Infra @ Klangwerkstatt Berlin 2023, UA, Videos!

Infra @ Klangwerkstatt Berlin 2023, premiere interpretation ensemble progress

Videodocumentation / score-video Infra extended now online – merci Sylvia Hinz / festival ensemble progress for this great interpretation!

Anja Kreysing: infra (2021) UA für Ensemble und Video

progress – das festivalensemble: Freddi Börnchen – Oboe & Objekte & Klavier & Video | Georgios Kokkinaris – Kontrabass & Objekte & Klavier & Video | Jeanne Artemis – Hardware Synth & Objekte & Klavier & Video | Heidi Withelm, Martha Orywal, Irma Schuster, Milena Weller, Sylvia Hinz – Blockflöten & Objekte & Klavier & Video Leitung: Sylvia Hinz

Klangwerkstatt Berlin – Festival für Neue Musik 2023

Konzert „miterlebnis“ | 18.11.2023, 16.00 Uhr | Kunstquartier Bethanien, Studio 1 Weitere Informationen: https://klangwerkstatt-berlin.de/2023/konzerte/18-miterlebnis-progress-hinz/

Kamera: Mike Ioannidis, Jakob Klaffs, Hugo Reis Ton: Justin Robinson, Connor Shafran, Sébastien Vaillancourt Videoregie, Postproduktion: Jakob Klaffs | jakobklaffs.de Bild- und Textredaktion: Laura Weber Künstlerische Leitung: Stefan Streich Künstlerische Produktionsleitung und Dramaturgie: Nina Ermlich

Die Klangwerkstatt Berlin 2023 ist eine Veranstaltung des Freundeskreises der Musikschule Friedrichshain-Kreuzberg e.V. in Kooperation mit der Musikschule Friedrichshain-Kreuzberg. https://klangwerkstatt-berlin.de/ | © 2024 Förderer, Unterstützer und Medienpartner: Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt des Landes Berlin, Musikschule Friedrichshain-Kreuzberg, Studio für Elektroakustische Musik der Akademie der Künste, KLANGZEITORT. Ein gemeinsames Institut für Neue Musik der UdK Berlin und HfM Hanns Eisler Berlin, Freie Jugendorchesterschule Berlin, Jeunesses Musicales Berlin, Goethe-Institut, Impuls neue Musik, GVL Ukraine Aid – Gesellschaft zur Verwertung von Leistungsschutzrechten mbH, Ernst von Siemens Musikstiftung, Ukrainian Institute, Ukrainisches Institut in Deutschland, rbb Kultur, neues deutschland – Sozialistische Tageszeitung, taz – die tageszeitung, field notes – Zeitgenössische Musik in Berlin, Rausgegangen

Infra initial version with original soundtrack by Anja Kreysing for in and outs, founded video-series at galery NoCube, curated by Candia Neumann: