Award for culture of remembrance: Verleihung des Dr. Julius Voos Preises

Am 10.3.2025 wurde mir gemeinsam mit meiner Kollegin Lisa Terhürne und der gesamten Schulgemeinde des Maria-Sibylla-Merian Gymnasiums Telgte für unser Projekt „Jüdisches Leben in Telgte. Gestaltung von Erinnerung“ der Dr. Julius Voos Preis der Gesellschaft für Christlich-Jüdische Zusammenarbeit verliehen.

Unser Schulprojekt beschäftigt sich langfristig und nachhaltig mit der Erinnerung an das während der NS-Zeit brutal und systematisch ausgelöschten jüdischen Lebens in der münsterländer Kleinstadt Telgte. Unser Fokus liegt auf künstlerischer Feldforschung und gestaltungspraktischer Auseinandersetzung mit neuen Formen der Erinnerungskultur. Zunehmend gesellen sich aber auch weitere historische und literarische Projekte dazu.

Interview with Sarah Belle Reid about my work

„How video artist Anja K. uses deep listening, modular synths, and sound design to expand her creative practice

If you ever struggle with having TOO many creative interests, and worry that you’re moving in too many directions at once, this interview is for you. 👇

I recently had a great conversation with my LSS student @anja_kreysing – all about her creative practice combining video, sound art, installations, modular synths, and experimental sound.

We got deep into topics like:

– The balance between bringing all of yourself into your work and staying focused on what matters most

– The power of expansion & embracing what you DON’T know

– Combining interests across art forms and genres „

After that I got a kind invitation by Sarah Belle Reid for a statement about creative work with imperfect action! My love for directed chaos generated this short clip. Enjoy!
More great ideas about creativity with confidence from Sarah: https://youtu.be/2nlZDEhM6i0

imperfectaction #electronicmusic #soundart #art #videoart #creatingwithcourage #directedchaos #creative #empowerment #modularsynth #synthesis #synthesizer #synth #modularsynthesizer #euroracksynth #sounddesign #audiovisual

Canticle Of The Sun / Pjesma Sunca, sound work for Hartung I Trenz, Videodocu from Visualia Festival Pula, HR out now!

Canticle Of The Sun, composition & concert for Hartung I Trenz, Visualia Festival Pula HR

Canticle of the sun, the famous text by brother Francis from Assisi. The installation takes place in the Franciscan Monastery in Pula, 13th century, during the Visualia Festival. The text is based on the croation version of Canticle of the Sun. All verses have been animated separately, combined and projected as an immersive installation in the cloister church.

The sound is specially composed by Anja Kreysing and she did on 2 evenings of the festival several concerts playing live in addition to the original soundtrack.

https://www.hartung-trenz.de/project/pjesma-sunca

Yoshiyuki Hoshi & Anja Kreysing, Performance, realtime

25.5.2024 Musikhochschule Münster, 25 Jahre GNM Münster

Performance real time / Echtzeit
Yoshiyuki Hoshi (Performance / Tanz)
Anja Kreysing (Akkordeon / Electronics)
Aufführung am 25.5.2024
in der Musikhochschule Münster zur Jubiläumsnacht
25 Jahre Gesellschaft für Neue Musik Münster
Video: Anja Kreysing
Kamera: Visual Youth
c)2024

#dance #performance #echtzeit #realtime #choreography #composition #expressionism #Germany #Japan #culture #accordion #electronics #somaenner

new track – rework for „raumforderungen“ by emerge, attenuation circuit

walking on the noisy side – „raumbehandlung“ as a rework from emerges field recordings out of an old gastank in Augsburg / Germany:

The whole release is highly recommended:

V.A. – raumforderungen
https://emerge.bandcamp.com/album/raumforderungen
attenuation circuit ° ACPA 1005 ° 2024
attenuationcircuit.de ° attenuation-circuit@web.de
field recordings and design by EMERGE

With: Stefan Strasser , Jesús Alfaro , Siegfried Kärcher , Anja Kreysing , Julien Ash , Daniel Prendiville , Thomas Jackson Park , Wolfgang Wilholm , Sábila Orbe and Mist Spectra, LR Friberg and many more

Komposition / Konzert für die Lichtinstallation „Piesma Sunca“ von Hartung/Trenz beim Visualia Festival in Pula / Kroatien 19.-21.9.2024

Immersive Projektion von Hartung Trenz mit einer Komposition von Anja Kreysing am 19.9, 20.9, 21.9.2024 im Franziskanerkloster, Pula, Kroatien im Rahmen des Lichtunkstfetivals „Visualia“(https://visualia-festival.com).

20.9. & 21.9.2024 21-22:00 Uhr live Konzert in der immersiven Installation.

https://www.hartung-trenz.de/project/pjesma-sunca

fantastic lot of radioairplay of „Before and after silence“, a collaborative release by Hans Castrup, Philipe Neau & Anja Kreysing

@ soundart-radio Auricular Shelter by Matt Atkins, 11.8.2024:


@ Radio Irrtum! by Herr Irrtum, 3.8.2024:

https://elektrische-lasagne.de/radioIrrtum

https://elektrische-lasagne.de/radioIrrtum/playlist_radio_irrtum_2024-08a.md


@ Naisa Radio, „MUSIC, OR NOISE?“, Broadcast by Bepi Crespan, 27.7.2024:


@ Naisa Radio, „MUSIC, OR NOISE?“, Broadcast by Bepi Crespan, 13.7.2024:


@ Unexplained Sounds The Recognition Test by Raffaele Pezzella, 7.7.2024:


@ A Duck in a Tree by *zoviet:france*, 6.7.2024:


@ Bepi Crespan Presents, Radio Art in a snack sized format, 6.7.2024:

https://www.citr.ca/radio/bepi-crespan-presents/episode/20240706


sound art radio Planck Tone by black_ops / Mahorka, 25.6.2024

Willkommen in der Hölle – partizipative Musikperformance für alle, Workshop Schloss Senden: 30./31.8.2024

Workshop und Performance mit Laien – Werden Sie Teil der Show

Am letzten Augustwochenende gibt es auf Schloss Senden einen ganz besonderen Workshop für alle zum Mitmachen – wir erarbeiten uns gemeinsam eine Performance und führen sie auf: „Willkommen in der Hölle“ von und mit Helmut Buntjer, David Guy Kono und Anja Kreysing und den Workshop-Teilnehmer*innen. 

Denn „Willkommen in der Hölle“ ist ein Projekt zum Mitmachen. Es geht um die Frage, wie wir den herausfordernden Alltag und die Krisen in der Welt bewältigen. Dabei geht es auch um die Frage, ob es eine „neue Normalität“ gibt, der wir uns stellen müssen. Kann uns Kunst dabei helfen? Welche künstlerischen Strategien eignen sich, mit der Realität umzugehen? Wir wollen gemeinsam Ideen entwickeln, wie wir mit dieser unsicheren und auch bedrohlichen Zeit besser leben können. 

Die Teilnehmer*innen des Workshops können sich künstlerisch vielseitig in praktischen Techniken aus Theater, Performance, Video, Sound und Musik ausprobieren. Daraus soll eine Show aus Musik, Tanz und Text entstehen. Alle sind eingeladen, mitzumachen: Professionelle Künstler*innen, Laien, Interessierte. Die Teilnahme ist kostenfrei und für alle Altersgruppen geeignet. Anmeldung bitte unter: kreysing@web.de

Freitag, 30. August 2024, 18 bis 19.30 Uhr: Vorbesprechung für Teilnehmende
Samstag, 31. August 2024, 11 bis 17 Uhr: Workshop 
Samstag, 31. August 2024, 19 bis 20 Uhr: Performances (jeweils 5 bis 10 Minuten)

noDarp, Track for „r I ɘ (2024)“, collabo Anja Kreysing I Philippe Neau I Hans Castrup (attenuation circuit)

Anja Kreysing: accordion, electronics
Philippe Neau: fieldrecordings, electronics
Hans Castrup: electronics, piano
Mixed by Philippe Neau

noDarp is an acoustic journey through a shimmering city of sound. From street to street our ears get an insight in differing backyards –
cordial invitation come around and listen!

released June 23, 2024 

„“r | e” used to be the logo of the re:flexions sound-art festival, organised anually by attenuation circuit at their Augsburg homebase from 2016 to 2021. Every edition of the festival was accompanied by a CD compilation. The idea behind the festival was to bring together experimental musicians from all sorts of genres who had never collaborated before to create new material for the CD – and to play a live set at the festival. The festival no longer exists, but “r | e” continues as a compilation series that features exclusive new compositions. 

This new edition of “r | e” is yet another powerful expression of the collaborative spirit of the international experimental underground network. With more trio than duo collaborations, the album also features what is probably the widest range of acoustic instruments – including trombone and other brass, accordion, mbira, assorted percussion, a bicycle bell, and whispering, groaning voices – on any “r | e” CD so far (or at any edition of the re:flexions sound-art festival, for that matter). Throughout the first half of the album, ritualistic, quasi-”tribal” rhythms make themselves heard, which underscore the feel that we are listening to a complex ecosystem of sounds akin to a musical rainforest, only to end in a massive distorted “throw-back” (or “throw-up”, as the title of the last track has it) into post-industrial urban desolation. „

credits

from r I ɘ (2024), released June 23, 2024

Before and after silence – collaborative release on Submarine Broadcasting Company, UK

by Kreysing, Castrup & neau

https://submarinebroadcastingco.bandcamp.com/album/before-and-after-silence

The idea for this album came up back in 2022, while the three artists – each working in a special multimedia way – were producing a 20-minute track in this line-up for a (soon to be released) album in the r. i. e. series on the attenuation circuit label from Augsburg in Germany. Despite the physical distance, the work worked perfectly and so they wanted to continue. 
The present recordings are the result of many different intermediate mixes with many different focal points, which the respective musicians applied and which were finally put together by Anja Kreysing to create the intense and atmospherically dense sound experience that is now offered to the listener. 

HC June 2024

credits

released June 21, 2024 

Anja Kreysing – Accordion, Guitar, Electronics, Mastering 
Philippe neau – Soundscapes, Artwork + Design 
Hans Castrup – Piano, Electronics 

anjakreysing.de/wp/ 
philippeneau.blogspot.com 
www.osnanet.de/castrup/

25.6.2024: thanks for having us in this fantastic Plank Tone-Show by black_ops!
Thoughts of hollow lands @ 35:20 – 37:26 min.: